An amorous pansexual alien charms the pants off two best friends in Addison Heimann's audaciously offbeat horror-comedy Touch Me.

This Friday’s arrival of Indiana Jones And The Dial Of Destiny serves as a reminder of the pivotal role composer John Williams has played in the cinema for more than five decades. Williams may have ...

Indie Basement is a weekly column on BrooklynVegan focusing on classic indie and alternative artists, “college rock,” and new and current acts who follow a similar path. There are reviews of new ...

Roasting alive in London’s concrete oven in the hottest May day since records began, attention constantly waylaid by warnings of incoming climate-induced societal collapse, lends an added intensity to ...

All hail the guitar solo — one of the most indestructibly great art forms in all of modern music. There’s nothing quite like the thrill of a glorious six-string explosion — a long, twisted, ...

1973 stands out as one of rock’s most bewildering and exhilarating years, a moment when experimentation collided with ambition across genres. Prog rock was reaching labyrinthine extremes, from King ...

To be trans in America is to live amongst death and fear your own. Lia Ouyang Rusli makes sounds that stay present in the body, no matter its form. A year ago, “no good” phased between bantam ...

From The Melvins to Slint, discover the unsung architects of rock whose records sold poorly but started a revolution ...

A Bleak King Cometh is like a molotov cocktail casually tossed into the stave church of black metal orthodoxy. There might be tremolo-picked riffs, gnashed teeth and blastbeats aplenty, but the trio ...

The Agnes Varda of deep listening returns with another piece of intimate audio vérité, a two-CD headphone collage made from recordings of her mother's final four months. Here, Rossetto's mom tells ...