Writing for an animated film is like painting on an infinite canvas—there are literally no bounds. You don’t have to worry about expensive or dangerous stunts, keeping your sets small for the sake of ...
From George Lucas’ “Electronic Labyrinth THX 1138 4EB” and Wes Anderson’s “Bottle Rocket,” to Ava DuVernay’s “Saturday Night Life” and Christopher Nolan’s “Doodlebug,” some of our most successful, ...
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